Interview

Interview: Katherine Nesbitt

Although most of the action appears to be going on in Edinburgh throughout August, there's still plenty to get your teeth stuck in to in London

Author's review: 
0

Interview: Mandi Symonds

Although most of the action appears to be going on in Edinburgh throughout Au

Author's review: 
0

Interview: Rosie Wilby

Rosie Wilby, Comedian, performer and writer, is approaching the launch of her first book; ‘Is Monogamy Dead’, which comes from 7 years of work, research and three theatre shows.

Author's review: 
0

The Merry Wives of Windsor Review - Theatre N16

In the gorgeous Shakespearean Globe Space at Theatre N16 for two performances only, comes one of Shakespeare's lesser-spotted plays: The Merry Wives of Windsor.

Author's review: 
4

Othello review - Tobacco Factory, Bristol

The latest Shakespeare at the Tobacco Factory production of Othello feels discomfortingly relevant.

Author's review: 
4

Richard III review - Rosemary Branch Theatre

I’ve seen a few Richard IIIs in my time. And whether it be Trevor Nunn’s trilogy at the Rose Theatre Kingston or a fringe production up in Edinburgh - I’ve always found myself wanting to leave at the interval. Until now.

Author's review: 
4

Interview: Jess Cheetham

Jessica Cheetham is the founder and Artistic Director of Spun Glass Theatre, their show STAMP was hugely successful at Vault Festival last year and is returning to Clapham Omnibus this February. Female Arts' Amie Taylor caught up with Jess to find out a little more of what she's been up to.

Author's review: 
0

LOVE, National Theatre - Review

Over the past year there has been a public debate about the relevance of theatre to people in the UK today, especially for the disenfranchised and given the way the referendum turned out. On the evidence of LOVE, theatre is more relevant than it has ever been, across all stratum of society.

Author's review: 
5

LAURA, Bread & Roses Theatre - Review

“Hell hath no fury like a woman scorned.” So goes the old adage.

Author's review: 
0

HEDDA GABLER, National Theatre - Review

Henrik Ibsen's Hedda Gabler is not an 'easy' play. On the surface its central character exhibits anti-social tendencies, but her actions in the latter half of the play are unconscionable. But nothing exists in a vacuum and the reasons for her 'lack of empathy' provide illuminating psychological insights.

Author's review: 
4

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