Interview

Every day our news feeds are dominated by images of suffering. Twenty first century journalism can creep into every dark corner of the world. Where has this left us? I think, in a state of ‘removal’, in a state of numbness. It is saturating our capacity to feel anything. Never has this world needed more the disgusting absurdity of 2016 represented on a stage. And that is why Removal Men is happening.

Performance artist Katy Dye explores the thorny issue of patriotism and the layers of meaning associated with the Union Jack – especially in post-referendum Britain.

The following events in January 2017 are on the whole either written by, organised or directed by women or gender equal productions…

It's been quite a while since I've come across a brand new writer (at least on my radar) who has impressed me with their originality and 'voice'. Michelle Sewell is such a person. Her double bill of plays at Bread & Roses Theatre makes for an entertaining and thought-provoking 90 minutes. I half-expected the evening to jump straight into a play about dating apps, but I was very pleasantly surprised to be confronted by a play that looked at 'love' from an unconventional angle – and something very topical to boot. Both plays were directed by Lydia Parker.

The early evening slot of Women Centre Space at Hampstead Theatre on 20th November 2016, saw even more people turn up for inspiring, new female-led theatre. The New Women programme featured three very different pieces, but each were as remarkable  as they were entertaining.

Last Sunday (20th November 2016) was a marathon day for showcasing female-led theatre. Organised by Sphinx Theatre, Women Centre Space is an annual, all-day event and in the past it has taken place at the National Theatre on London's South Bank. However, this year  (after week-long workshops at the The Actor's Centre) it has taken place at Hampstead Theatre, where 100 cast, writers and directors took part.

Conventional wisdom says happiness is the end goal for everyone. But what if there is something else that supersedes this?

The following events in December 2016 are on the whole either written by, organised or directed by women or gender equal productions…

A gender-balanced meta-comedy that deconstructs the relationship of two notable Elizabethan playwrights...

I expect you’re aware of the uproar surrounding the board’s decision at the G