Festival

Interview: Mandi Symonds

Although most of the action appears to be going on in Edinburgh throughout Au

Author's review: 
0

Here Comes Trouble Review - Blue Elephant Theatre

Keira Martin choreographs and performs this intelligent and engaging piece based on the trials and tribulations of her life, both as an Irish dancer and a woman.

Author's review: 
4

The Merry Wives of Windsor Review - Theatre N16

In the gorgeous Shakespearean Globe Space at Theatre N16 for two performances only, comes one of Shakespeare's lesser-spotted plays: The Merry Wives of Windsor.

Author's review: 
4

Reading fringe festival highlights

Reading Fringe Festival returns to Reading this week from Tues 18th to Sunday 23rd July. Here are our female led picks of the Reading fringe.

Author's review: 
0

Top 5 feminist theatre productions you can see at Latitude

Latitude Festival will return to Henham Park, Suffolk 13th - 16th July 2017.

Author's review: 
0

Open For Art festival 2017

Launching on Friday 30th June, with “Breakfast with an Artist” all are welcome to hear the story behind the work of Rebecca Swainston, interviewed by Editor of Female Arts, Wendy Thomson.

Author's review: 
0

Othello review - Tobacco Factory, Bristol

The latest Shakespeare at the Tobacco Factory production of Othello feels discomfortingly relevant.

Author's review: 
4

Richard III review - Rosemary Branch Theatre

I’ve seen a few Richard IIIs in my time. And whether it be Trevor Nunn’s trilogy at the Rose Theatre Kingston or a fringe production up in Edinburgh - I’ve always found myself wanting to leave at the interval. Until now.

Author's review: 
4

Interview: Jess Cheetham

Jessica Cheetham is the founder and Artistic Director of Spun Glass Theatre, their show STAMP was hugely successful at Vault Festival last year and is returning to Clapham Omnibus this February. Female Arts' Amie Taylor caught up with Jess to find out a little more of what she's been up to.

Author's review: 
0

LOVE, National Theatre - Review

Over the past year there has been a public debate about the relevance of theatre to people in the UK today, especially for the disenfranchised and given the way the referendum turned out. On the evidence of LOVE, theatre is more relevant than it has ever been, across all stratum of society.

Author's review: 
5

Pages

Subscribe to RSS - Festival