Theatre

Othello review - Tobacco Factory, Bristol

The latest Shakespeare at the Tobacco Factory production of Othello feels discomfortingly relevant.

Author's review: 
4

La Strada – Theatre Review (Tour)

Poetry seeps from every corner in this atmospheric theatrical take on Fellini's masterpiece.

Author's review: 
4

Nick Hern Books is to publish 'All Change Please', an empowering guide to achieving gender equality in theatre by Lucy Kerbel

Eye-opening, empowering and inspiring, All Change Please is a book for anyone who loves theatre.

Author's review: 
0

Thoroughly Modern Millie – Musical Theatre Review

Joanne Clifton's Millie is the cat's pyjamas and the bees knees!

Author's review: 
4

Richard III review - Rosemary Branch Theatre

I’ve seen a few Richard IIIs in my time. And whether it be Trevor Nunn’s trilogy at the Rose Theatre Kingston or a fringe production up in Edinburgh - I’ve always found myself wanting to leave at the interval. Until now.

Author's review: 
4

Interview: Jess Cheetham

Jessica Cheetham is the founder and Artistic Director of Spun Glass Theatre, their show STAMP was hugely successful at Vault Festival last year and is returning to Clapham Omnibus this February. Female Arts' Amie Taylor caught up with Jess to find out a little more of what she's been up to.

Author's review: 
0

Gaslight – Theatre Review

An intriguing production of Patrick Hamilton's popular play.

Author's review: 
4

LOVE, National Theatre - Review

Over the past year there has been a public debate about the relevance of theatre to people in the UK today, especially for the disenfranchised and given the way the referendum turned out. On the evidence of LOVE, theatre is more relevant than it has ever been, across all stratum of society.

Author's review: 
5

LAURA, Bread & Roses Theatre - Review

“Hell hath no fury like a woman scorned.” So goes the old adage.

Author's review: 
0

HEDDA GABLER, National Theatre - Review

Henrik Ibsen's Hedda Gabler is not an 'easy' play. On the surface its central character exhibits anti-social tendencies, but her actions in the latter half of the play are unconscionable. But nothing exists in a vacuum and the reasons for her 'lack of empathy' provide illuminating psychological insights.

Author's review: 
4

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